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21
    
I read the book this movie is based on, Bringing Down the House by Ben
Mezrich, several years ago, so I was excited to see the movie. Of course, going
in I expected that Hollywood would munge up the story so bad as to make it
incomparable to the original work. I was right.
This movie is about the MIT
Blackjack Team, a group of MIT students and a professor that ran a
card counting ring to reap profits from numerous casinos around the
country, but mainly centered on Las Vegas casinos. Of course, the film's title
comes from the game they played to earn these winnings, Blackjack 21, or just
21.
In short, the band, led by a professor, learns a card counting technique that
allows them to keep track of the "count" of a deck (or, actually, the five deck
"shoe" that most casinos use now). They learn to use signals and secret words
in order to communicate with other team members. By acting as a team, they are
able to reap higher profits and avoid detection by casino security personnel.
I thought the casting for the film was rather good. Jim Sturgess (as Ben
Campbell), while not Asian as in Mezrich's book, comes across as a slightly
geeky run-of-the-mill college student. Of course, he's incredibly good with
numbers, but that doesn't interfere with his personality too much. Spacey does
a good job at being a college professor with a dark side. The scenes with him
teaching feel genuine and he really sounds like he knows what he's talking
about. He looks comfortable on the classroom floor, like he's been teaching
there for decades. And I have no problem with Kate Bosworth as Jill Taylor (dig
the heterochromic eyes),
though her character is rather one dimensional. But she matches what I remember
from the book as the love interest for Campbell.
First off, this movie gets several things right. I'll try not to give anything
away, but the signals they use in the movie are identical to the ones in
Mezrich's book, as are the "secret" words used to disclose the count. The club
did consist of several MIT students under the direction of a professor who came
up with the techniques. The main character is a male, and the rest of the
makeup is more or less similar to the makeup presented in the book.
However, the movie got several things wrong, some seriously wrong, and so
glaring that Joan (the awesome wife) who saw it with me was able to spot them,
even though she never read the book. But I can't really discuss them without
giving anything away. So, feel free to read my other page, What
they got wrong with 21, if you've already seen the movie or
don't mind having things ruined for you.
By itself, however, 21 is a fair movie, with excitement and tension. It
could've benefitted from adhering more rigorously to Mezrich's book, but this
was nearly impossible according to our dear friend Douglas Adams, "Getting a
movie made in Hollywood is like trying to grill a steak by having a succession
of people coming into the room and breathing on it." After all those people
breathed on it, I guess it's surprising how much the film actually got right.
External links
Page originally posted April 25, 2008
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